The long drawn out bass line from a few days ago has evolved into a new section in 6/4. I couldn’t get the feel of the previous idea to make sense against the original bass line in odd time. This one sounds much smoother.
I may need to throw in a transitional phrase to get from the original section to the this new section. I also need to spice up the keyboard lead and tighten the whole passage up with some kind of syncopation before heading back into the original 7-metered phrases.
(from Nanostudio …)